Review: THE DUFF by Kody Keplinger

Today is the official release of Kody Keplinger's debut novel, THE DUFF.



I was fortunate enough to receive an ARC of this a few months ago. It's not a short novel-- almost 300 pages-- but I devoured it in one day. Here's the summary:

Seventeen-year-old Bianca Piper is cynical and loyal, and she doesn't think she's the prettiest of her friends by a long shot. She's also way too smart to fall for the charms of man-slut and slimy school hottie Wesley Rush. In fact, Bianca hates him. And when he nicknames her "Duffy," she throws her Coke in his face.

But things aren't so great at home right now. Desperate for a distraction, Bianca ends up kissing Wesley. And likes it. Eager for escape, she throws herself into a closeted enemies-with-benefits relationship with Wesley.

Until it all goes horribly awry. It turns out that Wesley isn't such a bad listener, and his life is pretty screwed up, too. Suddenly Bianca realizes with absolute horror that she's falling for the guy she thought she hated more than anyone.

There's a lot to love about THE DUFF, and without spoiling too much of the book, here are a few things I particularly enjoyed:

  • Bianca, the protagonist, is tough as nails, abrasive, and not afraid to speak her mind. Some might find her bluntness a turn-off, but I appreciated her unapologetic nature. Not to say she isn't flawed and aware of her flaws, but I feel like this is a character trait more often "acceptable" for men to exhibit, and I like how Bianca never backs down from who she is at her core.
  • Bianca and Wesley's relationship-- not gonna lie, I have a soft spot for antagonistic, love/hate relationships. Couples who fight and bicker and think they hate each other at the start but realize somewhere along the way how alike they truly are, and that animosity evolves (or explodes) into passion.
  • The love triangle actually had me questioning which way things would go. I wouldn't have blamed her for either choice she made, and no one was villainized in the process. Yay!
  • This book-- if the title isn't obvious-- is all about labels. The labels other people give us, and the labels we give ourselves. Bianca is labeled a DUFF and takes offense, but she's not above labeling others herself. I thought her realization of this was honest and realistic when in the hands of another author it could've smacked of After School Special.
  • Keplinger's portrayal of sex is neither sanitized nor condemned. It happens, and while a lot of it is an unhealthy coping mechanism, there are no dire consequences. No one dies (like all the non-virgin females in your typical horror flick) or winds up pregnant or anything. Bianca understands the level of dysfunction in her actions, but she isn't apologetic about her choices, either. (She also practices safe sex-- yay responsibility!)
  • Female friendships! Bianca's two best friends, Casey and Jessica, have strong roles throughout the novel and offer her her most important support system (even if Bianca doesn't always utilize it). I love reading about strong girl friendships. I've been in "trio" friendships before, and I thought Keplinger presented the dynamics between the three girls well.
Check it out if you get the chance! You can purchase it on Amazon here. And congrats Kody on a fantastic debut. :)

Will you walk with me out on the wire?

So in the past, I haven't been so great at this blogging thing. And every so often I come back and say, "Hey, I'm totally committing myself to this now!" and set a goal which I almost immediately break.

But really. I'm going to blog more. I MEAN IT THIS TIME.

Today's topic: Copy edits.

Copy edits, for me, were about the third round of revisions I've gone through for SAVING JUNE (since it was sold, anyway). My first round of edits came from the editorial letter and had to do with general story elements. That round led to a 20,000 word increase on the novel. The second round was line edits, which entailed my editor going through and pointing out continuity issues within the text. And then the copy edits! For this, I was mailed with a marked-up hard copy of the manuscript.



I consider myself to be pretty good at grammar, but there were a fair amount of mark-ups throughout the manuscript. Some pages had none, some had a lot, and some of the symbols used to indicate corrections took some deciphering before I could tell what they meant (but I managed!). I went through page by page to make sure I agreed with all of the proposed changes, and kept a list of the ones I wasn't sure about (spoiler alert: it was all but unnecessary since my copy editor was right about everything!), and at the end emailed my editor my approval/questions rather than mail the whole manuscript back. Quick and easy!

So I'm almost finished with SAVING JUNE entirely-- I will be looking at it again for a final proofread soon, but after that, I should be done! Yay! In the words of Kanye West: #itsaprocess